Monday, February 13, 2012
Ahn Trio unites with Nai-Ni Chen Dance Company for performance
NY Social Diary: Year of the Dragon
NJPAC’s FamilyTime Performance Series Offer So Much More Than A Show
Last Sunday, I was invited to take my family to NJPAC to see the Nai-Ni Chen Dance Company’s Show. I was so grateful for the invite and jumped at the chance to take my 8-year-old. She has been learning Mandarin as part of Nisuane’s Mandarin program since kindergarten, I love dance and it was the start of the Lunar New Year, so it was a perfect opportunity for both of us.
If you haven’t been to NJPAC yet, what are you waiting for? No seriously? It’s a beautiful space with great shows. The truth is, I have been there many times, but only once before for a family show. I took my girls to a Dan Zanes show a couple of years ago. But this was the first time that I, or my daughter, got to experience a FamilyTime performance, which includes either a pre- or a post-show workshop.
After the show, which we both really enjoyed, we were invited to the workshop. My daughter and a group of other children were greeted by a man from Nai-Ni Chen. He talked about Chinese New Year and the year of the dragon. He discussed the other Chinese Zodiac animals and then showed the kids his own Lion mask he made out of a paper plate and some construction paper. The kids were excited to get to work and created their own Chinese Lions. Once they were compete he had the kids take their masks over to an open area and taught them a traditional Lion Dance. The kids, and their photo snapping parents, loved it.
Next, we were honored by Ms. Nai-Ni Chen herself, who handed out ribbons and taught the kids a traditional Chinese ribbon dance.
The workshop, which included arts & crafts, cultural lessons and dance lasted about an hour. My daughter had a blast and was so proud when Ms. Chen told her she was impressed with her Mandarin pronunciation when she wished her a Happy New Year. It was a great experience.
NJPAC’s FamilyTime Programs serve students PreK-12th grade, and families with children ages 3 to 18. NJPAC also provides curriculum materials, professional development workshops, pre-performance workshops, and meet-the-artist sessions, all designed to reinforce the educational value of each program.
Photo Slide Show: http://www.flickr.com//photos/baristakids/sets/72157629017357633/show/
Article Link: http://kids.baristanet.com/2012/01/njpacs-familytime-performance-series-offer-so-much-more-than-a-show/
Scene Last Night: Wilbur Ross, Kenneth Buckfire, Henry Cornell
Scene Last Night: Wilbur Ross, Kenneth Buckfire, Henry Cornell
At the New York Philharmonic’s Year of the Dragon gala last night, plenty of guests had advice for doing business in China.
Wilbur Ross, dressed in a black-and-red Chinese jacket, said, “You’re dealing with a much more sophisticated culture than we have.”
Thomas Wu, a consultant based in Dusseldorf, Germany, who helps foreign companies do business in China, was more exact.
“When you invest according to the Five Year Plan, the likelihood of success is high,” Wu said. “The plan is future- oriented, so good investments are clean tech, renewable energy and rare earths, used to produce LED chips. China will be leading in lighting products.”
As Kenneth Buckfire, chief executive officer of Miller Buckfire & Co., mingled with fellow Philharmonic board member Daisy Soros, Gary Parr, Philharmonic chairman and vice chairman of Lazard Ltd. (LAZ), talked with Joan Weill about Alvin Ailey’s tentative plans to perform in China.
Ansso Wang of American International Group Inc. (AIG) knew the Year of the Dragon was auspicious: “This is the year to have children.”
The topic of doing business with China returned as waiters passed duck rolls and dumplings.
U.S. diplomat Nicholas Platt, father of actor Oliver Platt and restaurant critic Adam Platt, said the key is to “keep showing up.”
“Be patient,” added Andrew Xuejun Mao, chief marketing officer of the New York branch of China Merchants Bank (600036) Co.
“Ensure you have a really good Chinese friend,” said Anthony Walton, vice chairman, Americas, at Standard Chartered Bank.
Dragon Puppet
Amanda Gordon/Bloomberg.
“All of the above,” said Maurice Greenberg, chairman and chief executive of C.V. Starr & Co.
The concert at Avery Fisher Hall began, to the beating of a drum wrapped in red silk. A dragon puppet danced across the stage.
The showstopper was the Quintessenso Mongolian Children’s Choir, from the area of the Hulun Buir Grassland. Dressed in colorful robes, boots and white-fur pompoms, the 22 children performed folk songs without an ounce of stage fright.
Their sweet voices and Lady Gaga-caliber dance moves earned them a standing ovation, led by Damian Woetzel, a member of the President’s Committee on the Arts and Humanities, and Alan Patricof, managing director and founder of Greycroft Partners LLC.
At intermission, Henry Cornell, a partner at Goldman Sachs Group Inc. (GS), said he was looking forward to the oboe piece, “Extase” by Quigang Chen, featuring New York Philharmonic oboist Liang Wang.
“I played the bassoon and oboe until I was 16,” Cornell said. “Now my 6-year-old is studying piano. We take lessons together on Saturday mornings.”
(Amanda Gordon is a writer and photographer for Muse, the arts and leisure section of Bloomberg News. Any opinions expressed are her own.)
To contact the writer on this story: Amanda Gordon in New York at agordon01@bloomberg.net or on Twitter at @amandagordon.
To contact the editor responsible for this story: Manuela Hoelterhoff at mhoelterhoff@bloomberg.net.
Article Link: http://www.bloomberg.com/news/2012-01-25/scene-last-night-wilbur-ross-kenneth-buckfire-henry-cornell-gary-parr.html
The Right Dragon for the New Year
The Lyricism of Chinese New Year
MUSIC REVIEW
The Lyricism of Chinese New Year
By STEVE SMITH
Published: January 25, 2012
That the New York Philharmonic would salute China with a glitzy affair like the Chinese New Year gala it hosted on Tuesday evening at Avery Fisher Hall should come as no surprise. For years now China has been cast as the next great frontier for Western classical music: a place of crowded conservatories, hungry audiences and, possibly, bulging coffers. The Philharmonic saw the effects of this bloom firsthand during its concert tour there in 2008.
The critic Alex Ross, in a probing New Yorker essay published that year, described a more complex reality in which the spoils of success remain tied to bureaucratic aims. Still, there is no question that China has produced a significant number of prominent composers and outstanding performers. The nation’s biggest star, the pianist Lang Lang, was the guest of honor at Tuesday’s concert, presented to a house packed with tuxedos, ball gowns, Mandarin jackets and television cameras, and broadcast live on WQXR-FM as part of the station’s China in New York festival.
After a traditional dragon dance, performed across the front of the stage by the Nai-Ni Chen Dance Company, Long Yu, a distinguished conductor who holds prominent posts with several Chinese orchestras, opened the program with “Spring Festival Overture” by Li Huanzhi. The fizzy 1956 work fused a distinctly Chinese lyricism to a robust exuberance familiar from countless Romantic overtures. Bao Yuankai’s “China Air Suite,” drawn from a collection of folk-song adaptations, showed a sophisticated instrumental palette redolent of Debussy’s.
The Quintessenso Mongolian Children’s Choir made its American stage debut with five Mongolian folk songs, orchestrated by Zou Ye. The songs were reharmonized for Western ears — surely the ascending chords of “Ehulan, Dehulan” weren’t originally those of “Twist and Shout”? — and the choreography could resemble what you might see among Broadway tykes. Still, the tiny singers, adorned in fur hats, headdresses and other traditional finery, delighted the audience with their lilting voices and intense concentration.
The second half of the program featured three brilliant soloists. Liang Wang, the Philharmonic’s principal oboist, performed superhuman feats of circular breathing in the relentless flurries of Chen Qigang’s “Extase.” Junqiao Tang, a bamboo-flute player, was no less impressive in Zhou Chenglong’s “Raise the Red Lantern.”
Then came Mr. Lang, who brought to Liszt’s Piano Concerto No. 1 all the steely athleticism and flagrant showmanship it warrants. His encore, “Spring Dance” by Sun Yi-Qian, set frolicsome volleys and exaggerated tenderness over a robust tango rhythm.
Finally the Quintessenso singers returned for what was said to be their first performance in English, a sweetly warbled “America the Beautiful.” If some of the pronunciation was slightly awry, it mattered not at all. Precocious children are a universal language.
NJPAC Brings Arts Education to Life With 'Dragon'
A recent performance of Year of the Dragon by the Nai-Ni Dance Company was followed by a Q&A and a workshop for children.
- By Mary Mann
- Email the author
- January 26, 2012
NJPAC wants New Jersey to know that it's not just for grown-ups.
Newark's downtown jewel is well-known for its world-class entertainment — hosting symphony orchestras, jazz greats and touring companies of Broadway hits. But did you know it boasts the
nation's fourth largest arts education program for school-age children?
NJPAC's comprehensive Arts Education Department consists of several divisions providing programs for children ages 3-18, their families and schools. Each season, the programs serve over 100,000 individuals. NJPAC's mission is to "continually explore innovative ways to use its resources to serve New Jersey students and educators."
This was evident on Sunday, Jan. 22 during a special Verizon Passport to Culture FamilyTime series perfomance of Year of the Dragon by the Nai-Ni Chen Dance Company.
First, the principal of the Oliver Street School in Newark was in attendance. NJPAC has been bringing arts education programs to the school. After the perfomance — which included traditional Chinese dance including the "Dragon Dance" as well as the contemporary Whirlwind I by Glen Velez in collaboration with Nai-Ni Chen — children in the audience had the opportunity to interview the dancers on stage.
"How old were you when you started dancing?" one 7-year-old asked Sarah, 14, and Erika
, 13, from Nai-Ni Chen's junior company.
Next, children and their families where invited to a hands-on workshop with the per
formers in the Chase Room of the Arts Center, where they made masks and learned some traditional Chinese dances.
Sandra Bowie, NJPAC Vice President of Arts Education, explained how NJPAC arts education programs include arts training, in-school residencies (see Seth Boyden School's Dancing Classrooms program), and schooltime perfomances. For the FamilyTime perfomances, NJPAC also provides Teacher's Resource Guides that are written for use by teachers who bring their classes to performances.
Observing the room full of dancing children, Bowie said, "They're having fun and they're learning!"
Dancing for the dragon: Nai-Ni Chen celebrates Chinese New Year in Newark
This weekend’s “Year of the Dragon” program, at the New Jersey Performing Arts Center, will be no exception, its repertoire of dances enlivened by the chime of “coin-sticks” and the ripple of colorful streamers. A “Feast of the Dragon King” banquet follows the matinee performance on Saturday.
“You can express joy in different ways,” Chen says, however, explaining why her New Year’s program also features the premiere of “Whirlwind I,” a contemporary piece inspired by the choreographer’s travels along the old Silk Road in China.
“The traditional dances, of course, are bright and entertaining,” Chen adds. “But I think the audience will be ready for a change by the second half. Personally, I can’t just watch short, joyful pieces for two hours. I need something that makes me think.”
Where: Victoria Theater at New Jersey Performing Arts Center, 1 Center St., Newark
When: Saturday at 2 and 7 p.m., Sunday at 2 p.m.
How much: $23 and $25; call (888) 466-5722 or visit njpac.org. Tickets that include admission to a 4 p.m. Saturday “Feast of the Dragon King” banquet are $100 for adults, $35 for children younger than 12. For banquet tickets, visit nainichen.org.
The “Dragon Dance” will be more populous than ever this year, reinforced by students from Chen’s new junior company in Matawan. Chen herself will don flowing robes to perform her stylish solo, “Dance of the Heavenly Flower Maiden,” with movements based on the Beijing Opera classic. Harvesters will frolic. In the comic “Wedding Chamber” skit, by guest choreographer Ji-Gong Zhang, a bride and groom will nervously make each other’s acquaintance.
Yet this Chinese New Year celebration, with live assistance from the Chinese Music Ensemble of New York, offers more than picturesque folklore.
“Whirlwind I,” a collaboration between Chen and award-winning percussionist and composer Glen Velez, will introduce young audience members to a slice of world history, and to the desert landscape that Silk Road traders once traversed in caravans. When Chen began to explore the ancient route last summer, however, she traveled comfortably by train and automobile, departing from the legendary city of Xi’an and journeying West to Urumqi, capital of Xinjiang Province, then north to the border of Kazakhstan.
Along the way, she noted the mix of ethnic groups that is one legacy of the trade route; in addition to observing local dances, she saw many whirlwinds. Chen says she got “a very spiritual feeling,” as the wind took up the desert sands and began to waltz with them, and as she thought about how many individuals had trod the path before her.
The whirlwind is a symbol of life—the “Great Breath of the universe,” Chen says, explaining why the dancers also vocalize in her production.
In workshops, Velez taught the cast to sing and introduced them to the percussive rhythms of Central Asia. Chen says her movements all grew from this breathing technique. Velez’s musical ensemble, the Ta Ka Di Mi Project, will accompany the premiere live.
“This piece is like a journey passing through different countries, and maybe from the past to the present to the future,” Chen says. “Everything has life and energy, even the rocks and the sand. How does nature perceive us? I put myself in the mind of the earth.”
Robert Johnson: rjohnson@starledger.com
Article Link: http://www.nj.com/entertainment/arts/index.ssf/2012/01/year_of_the_dragon.html
Chinese Dance, Solid Brass, and Guitar Gods: First Night in Morristown from Marie Pfeifer
Chinese Dance, Solid Brass, and Guitar Gods: First Night in Morristown from Marie Pfeifer
Posted by Morristown Green Contributor on January 1, 2012
By Marie Pfeifer
First Night Morris 2012 featured something for everyone. Here is what caught my eye (and ears).
Photos by Marie Pfeifer.Please click icon below for captions.
The Gods of Jazz
The duo of Frank Vignola and Vinny Raniolo jazzed it up with special guest Bucky Pizzarelli for a rendition of Stairway to Heaven at the Morristown United Methodist Church
for First Night Morris, to the delight of a packed house that bestowed a standing ovation upon the trio. The show was even more amazing after the announcement that Pizzarelli will celebrate his 86th birthday on Jan. 9. The years have not hurt his performance in the least!
Premier Brass Group – Solid Brass Lite
Solid Brass Lite welcomed the New Year with its one-of-a-kind, critically acclaimed brass ensemble that performed music spanning six centuries, from the Medieval to the Beach Boys (and everything in between). This performance did not disappoint the audiences at the Presbyterian Church on the Green. Solid Brass has recorded, toured internationally, appeared on PBS-TV and received grants from the National Endowment for the Arts.
Nai Ni Chen Dance Company – Fusion of Chinese and American Dance
Nai Ni Chen Dance Company is a study in energy and motion. Its creative dance fuses American dance with the fluidity, grace and color of Asian art. The beauty and rich color of their performance mesmerized audiences who welcomed the New Year at the auditorium of
Morristown High School. The internationally renowned company has received 12 distinctive awards from the National Endowment for the Arts and numerous awards from the NJ State Council on the Arts for its outstanding blending of the discipline of Chinese classical movement with the freedom of American modern dance.