Oberon's Grove blog entry (by Philip Gardner)
Friday September 7, 2011 - Nai-Ni Chen is one of my favorite choreographers. Her work is rooted deep in the ancient cultures of Asia but it also has a contemporary sweep and sheen thatmake it extremely appealing. She seems to find the very essence of whetever musical forms she is working with, and to sense the undercurrents of energy in a rhythmic pattern.
Her dancers are finely attuned to her concepts and they move with a certain fluidity of style that has a ceremonial
elegance.
Today I went to watch Nai-Ni's rehearsal at
DANY studios; she spent the first couple of hours having her dancers work with composer/percussionist Glen Velez. Glen was tapping out rhythmic patterns on a frame drum and the dancers were chanting in accented counter-r
hythms. This actually has a genuine musical appeal. From there Nai-Ni asked the dancers to improvise movement, using the breathing mechanism of sustained chanted notes as a support while branching out on the ideas that Glen had shared with them. This le
d to some really lovely expressive improv.
I posted some of my snapshots from Glen's class on Facebook
here. It was so enjoyable to watch Nai-Ni's dancers but I needed to be at another rehearsal at
DANY so I left them chanting and improvising. Later, after Kokyat arrived, we decided to go back to Nai-Ni's studio and that's when Kokyat took the photos in this article.
Ekaterina Chernikhova, Riyo Mito, Sarah Pon, Jamison Goodnight
Ekaterina Chernikhova, Jung Hm Jo, Noibis Licea, Sarah Pon, Jamison Goodnight, Riyo Mito
Jamison Goodnight, Jung Hm Jo, Guanglei Hui, Noibis Licea, Ekaterina Chernikhova
Riyo Mito
Sarah Pon, Riyo Mito, Jamison Goodnight
Guanglei Hui, Ekaterina Chernikhova
Jamison Goodnight Riyo Mito
Sarah Pon, Jung Hm Jo
Riyo Mito, Jamison Goodnight, Ekaterina Chernikhova
Photos by Kokyat
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